Sculpture in over 200 shows in CA, 4 dozen+ in NY, 6 dozen in USA, and 11 internationally since 1951. 41 solo shows, 100+ Awards, a Fulbright in Italy 1956-57, where I copied the first Michelangelo Sculpts to learn his Picassoid system of distortion, and turned back from reversing Moore and flirting with abstraction.

Large sculpture in the permanent collections of the Whitney and Rochester Museums (NY), and numerous private collections. Extensive first-hand, on-site studies of other cultures.
My Dyslexia made for one-to-one or self-education; I can only do it the way I see it.

Known as a "Materialist" not in the usual sense, (far from it!).
With a mastery of a wide range of materials, I have yet to find my limits; always searching for how to see our old problems in new ways, using usually the daily surround rather than "Precious" or "Eternal" stuff.